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Resources share the relationship genre to Criticism
- Best minds of my generation, a literary history of the beats, Allen Ginsberg
- Damaged, musicality and race in early American punk, Evan Rapport
- History, homages and the highlands, an Outlander guide, Valerie Estelle Frankel
- How to read literature like a professor, a lively and entertaining guide to reading between the lines, Thomas C. Foster
- Sebald's vision, Carol Jacobs
- Painting enlightenment, healing visions of the Heart sutra, Paula Arai ; foreword by Robert A.F. Thurman
- Live oak, with moss, Walt Whitman ; art by Brian Selznick ; afterword by Karen Karbiener
- The great Gatsby, authoritative text, contexts, criticism, F. Scott Fitzgerald ; edited by David J. Alworth
- Van Gogh, Jessica Bailey
- The world is an apple, the still lifes of Paul Cézanne, edited by Benedict Leca ; foreword by Philippe Cézanne ; essays by Benedict Leca, Paul Smith, Richard Shiff, and Nina Athanassoglou-Kallmyer
- Adventures of Huckleberry Finn, an authoritative text, contexts and sources, criticism, Mark Twain ; edited by Thomas Cooley
- A reader's book of days, true tales from the lives and works of writers for every day of the year, Tom Nissley ; with illustrations by Joanna Neborsky
- Meet me in Atlantis, my obsessive quest to find the sunken city, Mark Adams
- The road not taken, finding America in the poem everyone loves and almost everyone gets wrong, David Orr
- Broadway goes to war, American theater during World War II, Robert L. McLaughlin and Sally E. Parry
- The complete infidel's guide to the Koran, Robert Spencer
- The haunted study, a social history of the English novel, 1875-1914, Peter Keating
- Banksy, completed, Carol Diehl
- On stories, and other essays on literature, C.S. Lewis ; edited by Walter Hooper
- Love goes to buildings on fire, five years in New York that changed music forever, Will Hermes
- The science fiction handbook, M. Keith Booker and Anne-Marie Thomas
- The Hirschfeld century, portrait of an artist and his age, Al Hirschfeld ; edited and with text by David Leopold